September 14>16, 2010
Parc d'Expositions
Paris-Nord Villepinte
HALL 5
Contacts
Christiane de Clavière
c.declaviere@premierevision.fr
Marie-Odile Verrier
mo.verrier@premierevision.fr
Press release / June 2010
RENEWED VITALITY AT EXPOFIL
(...) For the next edition, taking place this 14, 15 and 16 September, Expofil is overcoming the challenges posed by the slowdown in business and company closures in the spinning sector over the past few years, and rediscovering a calmer business climate, as predicted by the rather encouraging results of the February 2010 show.
For the first time in two years, the show's offer is demonstrating signs of recovery, with 39 spinners and fibre producers coming from 14 countries, an 8% increase over the September 2009 session. Among them are a return of seasonal businesses, in particular cotton specialists, and the arrival of two new exhibitors: (...)
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Press release / February 2010
The Première Vision Pluriel shows, focusing on creativity, continue their upward curve
(...) The six Première Vision Pluriel shows (Expofil, Première Vision, Indigo, Le Cuir à Paris, ModAmont, Zoom by Fatex) all registered increases. Together, they showed a rise in the number of visits by 6.3% over the comparable year-ago session (February 2009). Highly motivated international buyers voiced surprise and enthusiasm for the bold propositions of the some 1,500 exhibitors gathered from 9 - 12 February 2010 at the Parc d'Expositions de Paris Nord Villepinte. (...)
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Press release / Janvier 2010
A new look for Expofil
Expofil adopts a new look for the edition taking place next 9 to 12 February 2010. Like Première Vision, it has been rethought-out by designer Eric Jourdan and set designer Francesca Avossa, adopting the same white and sober architecture of an international city of small buildings. While the concepts are identical in nature, Expofil sets itself off through specific design touches, which are subtle but nonetheless visible. The stand facades, which are made of a luminescent white DuPont™Corian®, feature personalised graphics that play off the show's logo and, up and down the aisles, contribute to an immediate visual identification. The same high-design corporate graphic is also found in the show's signage.
